<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>kevinmelchionne.com</title>
	<link>https://kevinmelchionne.com</link>
	<description>kevinmelchionne.com</description>
	<pubDate>Tue, 19 Apr 2022 09:06:56 +0000</pubDate>
	<generator>https://kevinmelchionne.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Paintings</title>
				
		<link>https://kevinmelchionne.com/Paintings</link>

		<pubDate>Tue, 19 Apr 2022 07:26:59 +0000</pubDate>

		<dc:creator>kevinmelchionne.com</dc:creator>

		<guid isPermaLink="true">https://kevinmelchionne.com/Paintings</guid>

		<description>
	Paintings

	

&#60;img width="3246" height="2715" width_o="3246" height_o="2715" data-src="https://freight.cargo.site/t/original/i/4dadfc6c88681bac16e1289a3e9477d187c69364e1dd8a0e92c7045d2455acc9/KMP-130-Gratia-Plena.jpg" data-mid="244864313" border="0" alt="Gratia Plena, oil on panel, 20 x 24 in" data-caption="Gratia Plena, oil on panel, 20 x 24 in" src="https://freight.cargo.site/w/1000/i/4dadfc6c88681bac16e1289a3e9477d187c69364e1dd8a0e92c7045d2455acc9/KMP-130-Gratia-Plena.jpg" /&#62;
&#60;img width="5274" height="6351" width_o="5274" height_o="6351" data-src="https://freight.cargo.site/t/original/i/ec08585e6a65c8d1024e10d628cbd674dc4ab24e8e02d2038f69103c7b5af872/KMP-112-A-love-so-generalized-that-it-seemed-an-estrangement-12-29-24.jpg" data-mid="224570424" border="0" alt="A love so generalized that it seemed an estrangement, oil on panel, 24 x 20 in" data-caption="A love so generalized that it seemed an estrangement, oil on panel, 24 x 20 in" src="https://freight.cargo.site/w/1000/i/ec08585e6a65c8d1024e10d628cbd674dc4ab24e8e02d2038f69103c7b5af872/KMP-112-A-love-so-generalized-that-it-seemed-an-estrangement-12-29-24.jpg" /&#62;
&#60;img width="3697" height="2700" width_o="3697" height_o="2700" data-src="https://freight.cargo.site/t/original/i/f4dee19a464efe4988be51e566fd39a5023b864e5e2ec3608b75d27c7a9667db/KMP-132-Cumbersome-and-unrefined-feelings.jpg" data-mid="244855745" border="0" alt="Cumbersome and unrefined feelings, oil on panel, 20 x 28 in" data-caption="Cumbersome and unrefined feelings, oil on panel, 20 x 28 in" src="https://freight.cargo.site/w/1000/i/f4dee19a464efe4988be51e566fd39a5023b864e5e2ec3608b75d27c7a9667db/KMP-132-Cumbersome-and-unrefined-feelings.jpg" /&#62;
&#60;img width="2930" height="2935" width_o="2930" height_o="2935" data-src="https://freight.cargo.site/t/original/i/ff21c5c6571bf80b3e273040a0199387e0072899e8c69f49b5d64bcb305873d9/KMP-80-I-used-to-think-the-soul-grew-by-remembering.jpg" data-mid="211222633" border="0" alt="I used to think the soul grew by remembering, oil on panel, 20 x 20 in" data-caption="I used to think the soul grew by remembering, oil on panel, 20 x 20 in" src="https://freight.cargo.site/w/1000/i/ff21c5c6571bf80b3e273040a0199387e0072899e8c69f49b5d64bcb305873d9/KMP-80-I-used-to-think-the-soul-grew-by-remembering.jpg" /&#62;
&#60;img width="5250" height="6173" width_o="5250" height_o="6173" data-src="https://freight.cargo.site/t/original/i/5be747d40ef8cc29afdd6eef544be034a85c85210b3c9099ae2192928feae395/KMP-101-A-quiet-dream-of-shelter-and-the-serenity-it-brings-copy.jpg" data-mid="224576210" border="0" alt="A quiet dream of shelter and the serenity it brings, oil on panel, 24 x 20 in" data-caption="A quiet dream of shelter and the serenity it brings, oil on panel, 24 x 20 in" src="https://freight.cargo.site/w/1000/i/5be747d40ef8cc29afdd6eef544be034a85c85210b3c9099ae2192928feae395/KMP-101-A-quiet-dream-of-shelter-and-the-serenity-it-brings-copy.jpg" /&#62;
&#60;img width="3223" height="2572" width_o="3223" height_o="2572" data-src="https://freight.cargo.site/t/original/i/34dbd9ff2701a1edacaacbd221ee8690d82cb71763c941f0edc2417993abdc53/KMP-073-The-intricate-details-of-individual-lives.jpg" data-mid="244864733" border="0"  src="https://freight.cargo.site/w/1000/i/34dbd9ff2701a1edacaacbd221ee8690d82cb71763c941f0edc2417993abdc53/KMP-073-The-intricate-details-of-individual-lives.jpg" /&#62;
&#60;img width="2452" height="2434" width_o="2452" height_o="2434" data-src="https://freight.cargo.site/t/original/i/5db9195ec4ef783743e14a6d0e9199991bfd2721fd7d4462696cae0fcb19813b/KMP-131-A-tenderness-encroaching-on-my-mind.jpg" data-mid="244864795" border="0" alt="A tenderness encroaching on my mind, oil on panel, 18 x 18 in" data-caption="A tenderness encroaching on my mind, oil on panel, 18 x 18 in" src="https://freight.cargo.site/w/1000/i/5db9195ec4ef783743e14a6d0e9199991bfd2721fd7d4462696cae0fcb19813b/KMP-131-A-tenderness-encroaching-on-my-mind.jpg" /&#62;
&#60;img width="2488" height="3562" width_o="2488" height_o="3562" data-src="https://freight.cargo.site/t/original/i/a782ff21a3098ce417cf3acc0b2c28491a6d081d3c33eb4e53c8a992d701a31d/Melchionne--The-desire-for-consacrated-moments.jpg" data-mid="235673624" border="0" alt="The desire for consecrated moments, oil on panel, 28 x 20 in" data-caption="The desire for consecrated moments, oil on panel, 28 x 20 in" src="https://freight.cargo.site/w/1000/i/a782ff21a3098ce417cf3acc0b2c28491a6d081d3c33eb4e53c8a992d701a31d/Melchionne--The-desire-for-consacrated-moments.jpg" /&#62;
&#60;img width="3846" height="2356" width_o="3846" height_o="2356" data-src="https://freight.cargo.site/t/original/i/4a71d3d9ff9dfd6632263a06d862653d1c511da0b764f662b00bf89c1216536f/Melchionne--Kevin--Early-Sunday-Morning.jpg" data-mid="235674023" border="0" alt="Early Sunday Morning, oil on panel, 24 x 38 in" data-caption="Early Sunday Morning, oil on panel, 24 x 38 in" src="https://freight.cargo.site/w/1000/i/4a71d3d9ff9dfd6632263a06d862653d1c511da0b764f662b00bf89c1216536f/Melchionne--Kevin--Early-Sunday-Morning.jpg" /&#62;
&#60;img width="2569" height="2866" width_o="2569" height_o="2866" data-src="https://freight.cargo.site/t/original/i/29230cb39aabfd24ec3253787d08c385cae7f74dbc4b8eecd45bdffa118c6573/Melchionne--Kevin--All-those-years-were-real.jpg" data-mid="235677124" border="0" alt="All those years were real, oil on panel, 38 x 34 in" data-caption="All those years were real, oil on panel, 38 x 34 in" src="https://freight.cargo.site/w/1000/i/29230cb39aabfd24ec3253787d08c385cae7f74dbc4b8eecd45bdffa118c6573/Melchionne--Kevin--All-those-years-were-real.jpg" /&#62;
&#60;img width="2745" height="2733" width_o="2745" height_o="2733" data-src="https://freight.cargo.site/t/original/i/82584eb5a9873c8d2714e6898f00c96c2f38262cbc8bad4649ec40f48cd2fc94/KMP-124-People-look-at-me-the-way-I-used-to-look-at-them.JPG" data-mid="240299965" border="0" alt="People look at me the way I used to look at them, oil on panel, 28 x 28 in" data-caption="People look at me the way I used to look at them, oil on panel, 28 x 28 in" src="https://freight.cargo.site/w/1000/i/82584eb5a9873c8d2714e6898f00c96c2f38262cbc8bad4649ec40f48cd2fc94/KMP-124-People-look-at-me-the-way-I-used-to-look-at-them.JPG" /&#62;
&#60;img width="3269" height="2829" width_o="3269" height_o="2829" data-src="https://freight.cargo.site/t/original/i/444301ea92daeb0da0dbac3e816450d738afcaf1103d00cbfb612da92864f414/KMP-127-A-respite-from-solitary-abstraction.JPG" data-mid="240299964" border="0" alt="A respite from solitary abstraction, oil on panel, 28 x 32 in" data-caption="A respite from solitary abstraction, oil on panel, 28 x 32 in" src="https://freight.cargo.site/w/1000/i/444301ea92daeb0da0dbac3e816450d738afcaf1103d00cbfb612da92864f414/KMP-127-A-respite-from-solitary-abstraction.JPG" /&#62;
&#60;img width="2616" height="2984" width_o="2616" height_o="2984" data-src="https://freight.cargo.site/t/original/i/8bdc28061e1aaaeb3fc995b6543e894cc4a32d9fb1c9656526dcf2d96a4fbf7e/Melchionne--Kevin--The-mind-strays-but-the-story-holds.jpg" data-mid="235674074" border="0" alt="The mind strays but the story holds, oil on panel, 28 x 24 in" data-caption="The mind strays but the story holds, oil on panel, 28 x 24 in" src="https://freight.cargo.site/w/1000/i/8bdc28061e1aaaeb3fc995b6543e894cc4a32d9fb1c9656526dcf2d96a4fbf7e/Melchionne--Kevin--The-mind-strays-but-the-story-holds.jpg" /&#62;
&#60;img width="2595" height="2356" width_o="2595" height_o="2356" data-src="https://freight.cargo.site/t/original/i/a0f74ccda8a2a0fe60f23f71e9581e8360063f8fa6cd6823cf59c69ee7c43788/Melchionne--Kevin--A-different-way-of-feeling.jpg" data-mid="235675989" border="0" alt="A different way of feeling, oil on panel, 21 x 24 in" data-caption="A different way of feeling, oil on panel, 21 x 24 in" src="https://freight.cargo.site/w/1000/i/a0f74ccda8a2a0fe60f23f71e9581e8360063f8fa6cd6823cf59c69ee7c43788/Melchionne--Kevin--A-different-way-of-feeling.jpg" /&#62;
&#60;img width="2837" height="2832" width_o="2837" height_o="2832" data-src="https://freight.cargo.site/t/original/i/2970586eeebfec5cbdd1ac1275a33bf6ae7e4831fbcfcccd9c15a37d55ffc846/KMP-087-What-remains-is-just-a-sense-of-getting-older.jpg" data-mid="211223090" border="0" alt="What remains is just a sense of getting older, oil on panel, 24 x 24 in" data-caption="What remains is just a sense of getting older, oil on panel, 24 x 24 in" src="https://freight.cargo.site/w/1000/i/2970586eeebfec5cbdd1ac1275a33bf6ae7e4831fbcfcccd9c15a37d55ffc846/KMP-087-What-remains-is-just-a-sense-of-getting-older.jpg" /&#62;
&#60;img width="2676" height="3484" width_o="2676" height_o="3484" data-src="https://freight.cargo.site/t/original/i/b51b9269a6d339b880d99548f4170406c38ce107174585e3f5443133a9c33ab2/Melchionne--This-sweep-life-has.jpg" data-mid="235675788" border="0" alt="This sweep life has, oil on panel, 26 x 20 in" data-caption="This sweep life has, oil on panel, 26 x 20 in" src="https://freight.cargo.site/w/1000/i/b51b9269a6d339b880d99548f4170406c38ce107174585e3f5443133a9c33ab2/Melchionne--This-sweep-life-has.jpg" /&#62;
&#60;img width="2936" height="2928" width_o="2936" height_o="2928" data-src="https://freight.cargo.site/t/original/i/2dcd45b3603d089ec43c3330bde7cf9e809863cb1f51995e6a0df0c0010d75b6/Kevin-Melchionne-2-KMP-044-Grand-Millennial-Polemic.JPG" data-mid="195415735" border="0" alt="Grand millennial polemic, oil on panel, 24 x 24 in" data-caption="Grand millennial polemic, oil on panel, 24 x 24 in" src="https://freight.cargo.site/w/1000/i/2dcd45b3603d089ec43c3330bde7cf9e809863cb1f51995e6a0df0c0010d75b6/Kevin-Melchionne-2-KMP-044-Grand-Millennial-Polemic.JPG" /&#62;
&#60;img width="3324" height="2894" width_o="3324" height_o="2894" data-src="https://freight.cargo.site/t/original/i/0ca1ab0560a156b2053bc61b2aec269461873d98a469421e5d828420a2000124/KMP-128-Swept-forward-in-a-wave-of-meaning.jpg" data-mid="244623697" border="0" alt="Swept forward on a wave of meaning, oil on panel, 28 x 32 in" data-caption="Swept forward on a wave of meaning, oil on panel, 28 x 32 in" src="https://freight.cargo.site/w/1000/i/0ca1ab0560a156b2053bc61b2aec269461873d98a469421e5d828420a2000124/KMP-128-Swept-forward-in-a-wave-of-meaning.jpg" /&#62;
&#60;img width="3584" height="2561" width_o="3584" height_o="2561" data-src="https://freight.cargo.site/t/original/i/43c18759a6f291a9885cd51161d2f8d9f80b80cf2f5990f888fe7e143431193d/KMP-003-Like-someone-living-in-a-fable.JPG" data-mid="244864006" border="0" alt="Like someone living in a fable, oil on paper, 20 x 28 in" data-caption="Like someone living in a fable, oil on paper, 20 x 28 in" src="https://freight.cargo.site/w/1000/i/43c18759a6f291a9885cd51161d2f8d9f80b80cf2f5990f888fe7e143431193d/KMP-003-Like-someone-living-in-a-fable.JPG" /&#62;



	
	
</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://kevinmelchionne.com/About</link>

		<pubDate>Tue, 19 Apr 2022 07:16:25 +0000</pubDate>

		<dc:creator>kevinmelchionne.com</dc:creator>

		<guid isPermaLink="true">https://kevinmelchionne.com/About</guid>

		<description>About the Artist




Born in Norwalk, Connecticut, USA. Grows up in Stamford. Painting
at Philadelphia College of Art. Reads John Ashbery and Frank O’Hara. Philosophy
at Hunter College, New York. Reads Kant. Lives in Paris. Reads Jacques Derrida, Edmund Jabès, Maurice Blanchot. Graduate
school in philosophy at Stony Brook University. Reads Jürgen Habermas, John Dewey, Arthur Danto. Writes dissertation,&#38;nbsp;Cultivation: Art and Aesthetics in Everyday Life. Publishes
peer-reviewed scholarly articles on the aesthetics of everyday life, taste, and
the relationship between art and well-being in journals such as the Journal
of Aesthetics and Art Criticism, the British Journal of Aesthetics, Philosophy
and Literature, and Estetika. Reads John Koethe. Paints.








</description>
		
	</item>
		
		
	<item>
		<title>Selected Publications</title>
				
		<link>https://kevinmelchionne.com/Selected-Publications</link>

		<pubDate>Tue, 19 Apr 2022 07:16:25 +0000</pubDate>

		<dc:creator>kevinmelchionne.com</dc:creator>

		<guid isPermaLink="true">https://kevinmelchionne.com/Selected-Publications</guid>

		<description>Selected
Publications





 “Bodies
of Work,” British Journal of Aesthetics, Vol. 59,
2019.

“Definición
de estética cotidiana,” Revista KEPES, 2017, translated by Horacio Perez-Henao.
 
“Aesthetic
Choice,” British Journal of Aesthetics, Vol. 57, 2017.
 
“Art
and Well-Being,” Estetika, vol 54, no 2, pp 189-211, 2017.

 
“The
Point of Everyday Aesthetics,” Contemporary Aesthetics, Vol 12 (2014)
 
“The
Definition of Everyday Aesthetics,” Contemporary Aesthetics, Vol 11, 2013

&#38;nbsp;
“Aesthetic
Experience in Everyday Life: A Reply to Dowling,” British Journal of
Aesthetics, Vol 51, 2011.
 
“On
the Old Saw ‘I Know Nothing About Art but I Know What I Like’,” Journal of
Aesthetics and Art Criticism, Vol 68, No. 2, 2010
 
“Acquired
Taste,” Contemporary Aesthetics, Vol 5, 2007
 
“Why
Artists Starve,” Philosophy and
Literature, Vol 31, No. 1, April 2007. 
 
"Living
in Glass Houses: Decoration, Neatness and the Art of Domesticity," INTIMUS: Interior Design Theory Reader,
edited by Mark Taylor and Julieanna Preston, Wiley, 2006.&#38;nbsp; 
Originally published in The
Journal of Aesthetics and Art Criticism, Special Issue on Environmental
Aesthetics, Vol. 56, No. 2, spring 1998. &#38;nbsp;




“Front
Yards” The Environment and the Arts,
edited by Arnold Berleant, Ashgate Press, 2002. 




“Martin
Puryear’s Cane Project,” exhibition
essay, Temple Gallery, Philadelphia,
 PA, November 2001. &#38;nbsp;




"The
Aesthetics of Collecting," Philosophy
and Literature, Vol. 23, 1999. 





"Of
Bookworms and Busybees: Cultural Theory in the Age of Do-It-Yourselfing," Journal of Aesthetics and Art Criticism,
Vol. 57, No. 2, spring 1999. &#38;nbsp;&#38;nbsp;




"Artistic
Dropouts," Aesthetics: The Big
Questions, edited by Carolyn Korsmeyer, Blackwell, 1998.&#38;nbsp;






For more info and direct links, see my oage on&#38;nbsp;academia.edu.&#38;nbsp;








</description>
		
	</item>
		
		
	<item>
		<title>Contact</title>
				
		<link>https://kevinmelchionne.com/Contact</link>

		<pubDate>Tue, 19 Apr 2022 09:06:56 +0000</pubDate>

		<dc:creator>kevinmelchionne.com</dc:creator>

		<guid isPermaLink="true">https://kevinmelchionne.com/Contact</guid>

		<description>ContactMy email address is kevinmelchionne “at” outlook “dot” com.
</description>
		
	</item>
		
	</channel>
</rss>